In days past, artists would have patrons who would support them by making semi-regular payments. These patrons were typically members of the merchant class, nobility, or the Church. Although these days are long gone, artists today still need support!
By becoming a patron, you will help me in tremendous ways.
Your funds would provide me with artist publications and collective memberships (such as The DaVinci Art Alliance, InLiquid, and New American Paintings), which in turn provide me with exhibition and curation opportunities. Without these memberships, it is very difficult to get a foot in with the larger art world and market. Your patronage would also pay fees related to juried exhibitions and publication applications. Most applications to juried exhibitions, online exhibitions, and publications cost anywhere between $15 to $50. This is a huge access barrier for any artist struggling financially.
Your patronage would also afford me a means of transportation. I require a pedal-assist electric bike for my daily transportation needs. With this, I would be able to attend multiple figure drawing sessions around Philadelphia, as well as attend art openings, artist lectures, and any other art-related events. Public transportation in Philadelphia, though widespread, is grossly underfunded and neglected. The distance between my home and my place of work is ~6 miles and a ~45-minute drive, but 2 hours by bus. Moreover, the subway escalators and elevators are oftentimes inoperable or marred by urine, vomit, or feces. This is not a sustainable or appealing option for someone in my condition.
A bit about my conditions — I have chronic kidney disease, Crohn’s disease, osteoporosis, depression, and complex PTSD.
By becoming my patron, you would also have first access to my available works, and at a more affordable cost. I have a small stash of paintings that have not seen the light of day in any gallery or exhibition, and are ready for a new home. Additionally, for a smaller cost, you would have first pick at my figure drawings, etchings, and any other art objects I have in the studio.
I am not selling a “product,” but a promise of a continued studio and professional practice for years to come.
In days past, artists would have patrons who would support them by making semi-regular payments. These patrons were typically members of the merchant class, nobility, or the Church. Although these days are long gone, artists today still need support!
By becoming a patron, you will help me in tremendous ways.
Your funds would provide me with artist publications and collective memberships (such as The DaVinci Art Alliance, InLiquid, and New American Paintings), which in turn provide me with exhibition and curation opportunities. Without these memberships, it is very difficult to get a foot in with the larger art world and market. Your patronage would also pay fees related to juried exhibitions and publication applications. Most applications to juried exhibitions, online exhibitions, and publications cost anywhere between $15 to $50. This is a huge access barrier for any artist struggling financially.
Your patronage would also afford me a means of transportation. I require a pedal-assist electric bike for my daily transportation needs. With this, I would be able to attend multiple figure drawing sessions around Philadelphia, as well as attend art openings, artist lectures, and any other art-related events. Public transportation in Philadelphia, though widespread, is grossly underfunded and neglected. The distance between my home and my place of work is ~6 miles and a ~45-minute drive, but 2 hours by bus. Moreover, the subway escalators and elevators are oftentimes inoperable or marred by urine, vomit, or feces. This is not a sustainable or appealing option for someone in my condition.
A bit about my conditions — I have chronic kidney disease, Crohn’s disease, osteoporosis, depression, and complex PTSD.
By becoming my patron, you would also have first access to my available works, and at a more affordable cost. I have a small stash of paintings that have not seen the light of day in any gallery or exhibition, and are ready for a new home. Additionally, for a smaller cost, you would have first pick at my figure drawings, etchings, and any other art objects I have in the studio.
I am not selling a “product,” but a promise of a continued studio and professional practice for years to come.
Your monthly payments would go towards the price of a painting or any other artwork for sale. For example, if you paid $15 per month for 1 year, I would discount any artwork by $180.
